Fairy Tales 2010

Wednesday, March 24, 2010

Dopey!

In watching the DEFA version of Snow White, there was one dwarf in particular whom I took to be the equivalent of Disney's "Dopey." (The German name escapes me at the moment!) In both films, all of the 7 dwarfs are portrayed as both lovable and loving, genuinely caring, and safe. Further, they are efficient, industrious, and intelligent. I attribute this last characteristic to the lot of them as they are the group responsible for saving Snow White time and time again. They not only detect someone dangerous is lurking in the woods, attempting to harm Snow White, but they are able to quickly find the object that has inflicted her, putting her in a momentary dead-like state. What is especially endearing about Dopey and his alter ego in the DEFA version, however, is the fact that he retains this innate intelligence that is obviously the result of a caring heart and soul, and is able to contribute to the saving of Snow White despite his mental capacity showing signs of limited capacity. In Disney's film, a more overtly sweet and loving relationship between Dopey and Snow White is portrayed, as we see him return again and again for kisses... simply silly in love with the young girl, making the audience laugh-- more precisely, maybe is the word giggle?-- often. In the DEFA version, "Dopey" is funny, too, but as more of a jester-like comical character. The rest of the dwarves are always keeping him in check, as he is the one distracted or left behind, but only out of natural curiosity and a playful attitude. In this version, Snow White herself seems more distant (less motherly and more maid-like, perhaps) in her relation to the dwarfs. Accordingly, her relationship with them is not quite as deep as is Disney's princess with her own dwarfs.

1 comment:

  1. The Soviet film is less emotional in a lot of ways. You point a good one with the instance of Snow White being less close to the dwarves, and scenes like the Huntsman's coldness apply as well. The only truly emotionally involved character seems to be the Queen. And of course, she is simply drawn up to be a commentary on non-Proletariat type people. Maybe the lack of emotionality, and even, automaton-like characterizations can be taken as a symbol for Bolshevism in general?

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