Fairy Tales 2010

Wednesday, February 24, 2010

Parents in Beauty and the Beast Stories

The parental figures in many of the Beauty and Beast type stories are portrayed as honest and loving. They love their children, especially the beautiful daughter, and show it by bringing her an impossible present-a rose in winter or a singing, springing lark. The loving father obtains whatever his child desires with the unfortunate result that he must die at a beast's hands. The fact that the father promises to come back to the beast in order to be killed for his transgression is intriguing. These fathers are so honest that when the beast tells them to leave and come back in a week, they never consider not going. The option to send a daughter in their stead isn't really an option to them either. They usually say they have lived a long life and have few years left anyway. Again this shows their great love for their children. When the most beloved daughter takes her father's place with the beast-out of love and a sense of guilt-the father grieves so much for the daughter that he almost dies. The role of these honest, loving, loyal fathers is to provide an anchor for the beauty's love. Living with the beast and marrying him would not be such a huge sacrifice if the girl's home life was not so wonderful and loving. She must move from the position of cherished daughter of a good man to beloved wife of a monster, which highlights the fear young girls have of leaving home and getting married. If the parents or father were horrible abusive men, the move to marriage with a kind but ugly monster would be no challenge at all. In that case the marriage-anxiety would not be present, but rather happiness at escaping a bad situation would be the predominant emotion.

1 comment:

  1. Caroline, you call the role of the father "an anchor for beauty's love". As we talked about in class yesterday, beauty is not especially happy about her former beast/prince... she's pleasantly surprised. But when she sees her family again, that's when she becomes joyous and happy. This familial-focused ending certainly relates, in my opinion, not to marriage anxiety, as you wrote, but mating anxiety.

    It seems, then, that even the beast once transformed into his true princely form is still scary in some way to beauty. I suppose he threatens her chastity, if we refer back to the Zipes' frog prince essay about attraction/repulsion instincts in mating stories. In this way, it becomes the good non-threatening father vs. the kind, sexually threatening beast. Of course, the girl, innocent as she is, prefers the father.

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